REVIEWS 2006 - "Kingdom of Not"

Kingdom of Not  at the Cherry Lane Theatre
By Lisa Ferber
Published in NYTheatre.com, November 2006

"Kingdom of Not is a one-man show in which the dedicated performer Dan Carbone takes us on a surreal trip. He appears on the cozy, warm set looking like an innocent small-town fellow in a pair of red suspenders over a white shirt and beige pants. What ensues is a wild rant in which Carbone inhabits the character of one Anita Humm, a zany woman from Turkey Bluff who discovers a special baby boy and becomes his caretaker. Anita introduces Randall to a variety of people and non-people in her life, including the creatures inside her rug. Anita reads the baby a note from the creatures in which they declare, 'We are trying to jump the bones of the creatures and create more creatures.'

"This show is not so much about the strange things that happen to Anita while she takes refuge with the boy in her crumbling old house, but about Carbone's performance. First of all, watching a grown man spending an hour and 15 minutes playing a woman without any attempt at drag creates a dissonance that keeps the mind awake. Add to that the strangeness of watching him also act out a baby, a talking rat, a gossipy librarian, and various other characters, and you've got yourself something to watch.

"Anita tells the audience, 'This whole story is the truth! And I ain't so hardly ever lied! Hardly ever!' By the time she says this, one feels certain that while our narrator wouldn't deliberately lie, her command of reality might not be that sharp, as we also see her yell at some dogs, 'We have a reason to live and you do not!'

"At one point during the monologue—which, really is hardly a monologue as there are so many characters; it's more like a one-man play—Carbone is an ant, saying, 'I'm young, spry, and reasonably well-adjusted considering what the world has done to me. Actually, I'm a little neurotic, but it works for me.'

"Carbone periodically sings in strange voices, as when he croons in the persona of an ant, 'Eeeeeee aaaaayahhhh ohhhhh,' and then says, 'That's my first name.' He can somehow get away with having characters say lines that seem deeply philosophical at first even if on further inspection don't make that much sense: 'Sometimes I feel as if I'm pressed up against a balloon and the thing I'm trying to see is on the other side of the balloon. I'm trying to see it. I'm trying to make it all fit together.'

"It somehow does all fit together, though it's hard to say why or how. At the end I didn't feel like I'd gotten to the real end of a story, but that's not what this show is about. We are just taken on Anita's journey with her baby and the strange creatures of their world.

"Now, this show is not for everyone: If you only like feel-goods or plays with a strong throughline and do not have a taste for the bizarre, this won't be for you. If you are, however, willing to go along on someone's ride, it's certainly worth taking this chance. Watching Kingdom of Not is like being in a car with someone who zigzags left and right and makes you periodically unclear where you're going to end up; but then you do end up somewhere, and while it might not be exactly familiar, you're never sorry you went."

Lisa Ferber · NYTheatre.com Nov 2006



Kingdom of Not

by Linda Ayres-Frederick
Published in San Francisco Bay Times, Sept. 14, 2006

“The most brilliant and imaginatively creative mind inhabits one Dan Carbone, who conjures his sorcery in the premiere of his latest solo performance titled Kingdom of Not. This is one of those rare Fringe shows that you should RUN, not walk, to see. Carbone is one of those geniuses who only gets better with age. And lucky are we to see his work as it has grown.

With only a baby carriage and white rocking chair, the quirky Carbone creates an entire world and a world of characters, each with a unique noise and distinct physical characteristics (including the old house they inhabit) that have you, between tears of amazement and tears of laughter, on the edge of your psyche. Buh, buh, buh Baby Randall, whose “father was a train whistle and mother was …more complex,” comes to life along with Anita Hummmmmm, who adopts him as her own after her sister Bonnie shot herself in the head.

This is one instance where meandering sidesteps — including the incredibly extant two-year, one-billion-ant mile voyage of the sugar ant scout across the floor, up the wall, along the sink, up to the cabinet, and into the blissful ecstasy of the crystalline white stuff — always magnify the central journey of his characters. All of Dan’s pieces fit so exquisitely together that by the end, one feels as blissed out as that ant by the perfection of it all. And we are thankful to have “borne witness” to the one who sometimes “feels pressed up against a huge balloon …just holding onto the edges trying to see it and see things coming together.”

They come together all right. While all hell is breaking loose right there in “Turkey Bluff with biggest town gossip Rebecca Nagle, who looks like a “marshmallow Easter Peep,” all the creatures in the rug are calling to Randall who is banging his head on the wall at the spot he later manages to crawl through to get to the other side!_If all this sounds bizarre, it is and yet, it all makes sense by the end. Heading for a run at NYC’s Cherry Lane Theatre after its Fringe performances, Carbone’s Kingdom of Not will probably take NYC by surreal storm. See him here first where he started out! Kingdom of Not is a MUST SEE!”


Fringe Festival Audience Member Reviews:
http://www.sffringe.org/fringe06/06reviews/kingdom.html

Reviewer: Gina Bardi
5 Stars
“Mr. Carbone is not of this world. I refuse to believe someone with his intelligence, humor and depth could have been born of a human woman egg and human man sperm. More likely he was hatched on some planet not in this solar system and fell to earth David Bowie style. I hope he never goes home.
He creates a world that is so realistic, that when I thought about it later, I was surprised to remember that he only had two props and no costumes. He descriptions were so rich and vivid that I actually thought I saw them. I might be crazy, but he's a crazy genius.
This performance pulled me in like a spider to zoom (It's ant talk).”

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Play: The Kingdom of Not
Reviewer: Nancy D. Neilson
5 Stars
“All I can say is a Dan Carbone production is always highly entertaining and well worth the time to see. Can't wait for a longer production or anything Mr. Carbone is in.”

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Play: The Kingdom of Not
Reviewer: twofer
5 Stars
“I hope that Dan Carbone gets the Best of Fringe award for 2006. His performance was mesmerizing; with a sideways glance or a flick of an eyelash we were transported to another dimension by song and gesture.”

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Play: Kingdom of Not
Reviewer: Kim
4 Stars
“Holy moly. I'd never seen one of his performances before - he is amazing and absurd. I'm still not even sure what to think about the play, I definitely didn't get all of it (and I usually 'get' it) and I still really enjoyed myself. Parts I drifted off on were other people’s favorite parts, and even without perfection I would tell anyone to go see this show!!”

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Play: Kingdom of Not
Reviewer: Scott
5 Stars
“Mr. Carbone transforms with tremendous success. He loses himself and his audience happily takes the journey. His surrealism is most frighteningly real.”

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Play: Kingdom of Not
Reviewer: annika
3 Stars
”Dan Carbone is definitely a talented actor, _and his tale is very dark, moody, and southern gothic.However, I couldn't for the life of me figure out what it was about._ It's kind of fascinating listening to 60 minutes of crazed ramblings, but it would have been nice to have somewhere in the piece to "latch on to".

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Play: Kingdom of Not
Reviewer: eryka fraczek
5 Stars
“This is a phenomenal piece of work. Beautifully written, lapsing into all manner of literary forms it moves, and exquisitely performed. Hysterically funny and stonily sober as it moves from place to place in a biblical story gone awry. A multi-level and not so remote experience.”

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Play: The Kingdom of Not
Reviewer: Mia Paschal
“With "The Kingdom of Not", Dan Carbone has created his own special universe that is as memorable as it is unique. This hilarious and moving solo show - which for me was about desire and what happens when you get what you think you want, whether it's a baby or some sugar - is bursting with deftly drawn characters and poetry that is rich and surreal. Very strong direction, script, and acting. The audience on the night I attended loved it, and I did too.”

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Play: The Kingdom of Not
Reviewer: Robert Hayden
5 Stars
“The Kingdom of Not is superbly written and beautifully acted. Mr. Carbone is a treasure who needs neither a supporting cast nor scenery. Just let him on stage, and turn on the lights.”